Instead of relying on a tinnitus ring, the designers filter out most of the sound, leaving just the low, vibrational elements of Bond’s gasps and movements, disorientating the viewer.
The explosive sequence in the graveyard leads onto one of the film’s standout sound design moments as Bond temporarily loses his hearing and the audience is given his sonic point of view. Even though this franchise hasn't had a new entry in more than a generation, it's likely that strong buzz will attract all kinds of teen moviegoers.We’re used to Bond films opening with a big set-piece, but No Time To Die switches things up, beginning instead with a flashback to Madeline's childhood in Norway that’s much more low-key and quietly terrifying. Mirroring the bleakness of the landscape, every sound is given acres of space, building intensity without overloading the viewer with layers of sound. The film’s slow-burn start means that subsequently, the ambush at Vesper’s tomb in Matera has an even greater impact. Drinking, drugs, and smoking aren't issues. No strong language is clearly heard, but much of the dialogue is obscured by the thundering sound effects. One woman is naked, but viewers only see her behind.
Several imprisoned women are attached to machines that pump their breast milk, and some of the female characters (some of whom are played by supermodels) are treated as sexual objects, shown wearing skimpy clothing while washing. It's extremely violent, with nonstop chase scenes, explosions, deaths, blood, shooting, and stabbing, as well as violence against women (including a bloody scene involving a pregnant woman), nightmarish flashbacks, diseased flesh, and other disturbing imagery.
Parents need to know that Mad Max: Fury Road - the fourth film in the Mad Max series and the first in decades - is a reboot of sorts, with Tom Hardy taking over for Mel Gibson in the title role.
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